Quicktime 7.4 and Adobe After Effects CS3 - WARNING!

Word on the Creative Cow forums this morning is that the newly released Apple Quicktime 7.4 upgrade causes a MAJOR problem with Adobe After Effects where the system crashes after 10 minutes or so of rendering. So far this has been confirmed on After Effects CS3 - not sure about previous versions. This is happening to multiple people and this occurs immediate after upgrading to Quicktime 7.4. Again, like with all Apple updates - DO NOT BE THE FIRST ONE TO UPGRADE. Wait until others do it and take time to read the forums and see what everyone else’s experiences are. This should be especially true with Quicktime as the last few releases have been unstable at best. This should be even more critical if you work under tight deadlines and absolutely NEED to deliver.

Here’s a link to the forum post. Hopefully Apple can take care of this one quickly: http://forums.creativecow.net/readpost/2/925464

Update: I’m getting a lot of traffic here from Google from people who are having the same problems.  There seems to be no fix from Apple yet but some people have successfully downgraded from Quicktime 7.4 to Quicktime 7.3.1 and that should get you back to working. Here are the steps.

1. Download the older quicktime for your OS:
Panther: http://www.apple.com/support/downloads/quicktime731forpanther.html
Tiger: http://www.apple.com/support/downloads/quicktime731fortiger.html
Leopard: http://www.apple.com/support/downloads/quicktime731forleopard.html
2. Download and install the program Pacifist.
3. From Pacifist, install the Quicktime .pkg that you downloaded. Choose “Replace” instead of  “Actualize”

I’ve been told that this works and will downgrade you back to 7.3.1. This way you can wait to upgrade back up to 7.4 until Apple releases a more stable version. I haven’t actually done this myself since I never upgraded to 7.4 in the first place - so use this info at your own risk. Feel free to let me know the results.

-Paul

The MacBook Air as a Final Cut Pro video editing machine

Everyone is talking about the new MacBook Air that was announced by His Jobsness yesterday at Macworld 2008 in San Francisco. I think you’ll find that the majority of people’s initial reactions are not glowing and positive as is the buzz with most newly announced Apple products. Yesterday was a far cry from the fan fare surrounding the iPhone announcement last year at Macworld or even all-but-forgotten Mac Mini in ‘05.

I’m a professional video editor so I’m going to be looking at the product from this specific professional point of view and trying to see where or if this could fit into any post workflow. Before you yell - yes, I do understand that this computer is clearly not “designed for” the video professional - but I still think it’s a fair question and no doubt one that will be asked. It’s not uncommon for a product designed for one thing to get adapted by a community and be used in ways the creators didn’t originally envision. I did, after all, go over a year using a Macbook (not Pro) as my main editing system at home even though Apple doesn’t officially support this for Final Cut before upgrading to a Mac Pro this year - and I cut some fairly high profile jobs on this with nobody knowing or caring.  As for the MacBook Air - I haven’t seen one of these in person yet I’ve only seen the specs, the keynote, and the pictures but I’ll share my initial thoughts with you.

First - a quick glance. I’ll list the good and the bad, along with a score on a scale of 1 to 10 on how important that is for the video professional.

THE GOOD:
1. Ultra portable and really thin. (2/10 comment: the difference in size and weight between say a MacBook Air and a MacBook Pro is probably negligible to an editor)
2. Apple-chic - will get stares. (2/10 comment: most editors I know could care less what their equipment looks like)
3. Can extend desktop to a 1920×1200 external monitor (9/10 comment: more or less essential to have an option for extra workspace with any serious creative app)
4. The solid state drive option should blow away traditional hard drive speeds, but you pay for it. (7/10 comment: disk speed is huge to most professional editors, but not all DV editors would ever tell the difference)
5. Cool new gestures with the trackpad (3/10 comment: Will you be gesturing with Final Cut Pro? Probably not.
6. Fits in an envelope? (no comment)

THE BAD:
1. Limited connections, NO FIREWIRE. (10/10 comment: this is probably a deal breaker for 95% of you out there)
2. Non existent upgradability - no user replaceable hard drive or ram like the Mac Books (8/10 comment: 2 gigs of ram isn’t bad, but definitely on the low end of what you’d want in an edit system)
3. No optical drive - installing software wirelessly sounds like a hassle (5/10: this effects probably any end-user equally. If you need to load something from a DVD, you need to use their other options)
4. Speakers are mono and apparently sound very thin (not surprising) (3/10 comment: not too huge as most laptop editors are probably using headphones or powered speakers)
5. No ethernet jack - but you can get an Apple branded USB external (2/10 comment: annoying, but no big impact on the video producer)
6. 4200 rpm drive on the stock option (7/10 comment: similar to my comment about the SSD drive - you’d like to see at least a 5400 if you’re editing, preferably a 7200 drive)
7. Pricey! Yikes! (9/10 comment: even professionals love deals. What reasons would someone pick this over a MacBook Pro - especially given the price difference?)
8. The battery is internal like an iPod (5/10 comment: annoying, to be sure - but probably not a huge deal to an editor)

Let’s tackle the first question that has already been asked on the forums - can this thing even run Final Cut Studio? My guess is that since spec wise it is more powerful than older G4 laptops that can run Final Cut studio and similar to my MacBook that is already running Final Cut Studio - then yes it should be able to install the software. You can forget about Motion and Color right off the bat as those applications have more demanding requirements for video cards and the MacBook Air comes with an Intel GMA X3100 graphics chip that just won’t cut it with those programs. But I see no reason why Final Cut Pro wouldn’t be able to install, launch, and run decently.

But now we have to talk about the biggest thing from a post production standpoint that Apple left out and that is the lack of a Firewire 400 or Firewire 800 port. As most hobbyist and DV editors know - firewire is crucial for getting your footage onto your computer. Without a firewire connection this results in  what I would guess is about 95% of the Final Cut Pro user base having no ability to load footage onto this computer. Without this connection the only way you can work with media (on the fairly limited internal hard drive mind you) is to transfer it over. This is not that difficult if you’re shooting with a solid state camera such as the HVX200 or Sony PMW-EX1 and can bring it over USB (I think that’s how footage is transferred from these cameras but I’ve never used one) but it’s a hassle if you actually have to capture from another computer to use the MacBook Air. This is a glaring omission from the video editor’s point of view - yet not one that is shocking considering who this computer is clearly designed for. This makes it clear that Apple has no intention of marketing this product to editors as their higher end laptops give editors most everything they need and more. Again, I’m looking at this from the standpoint of someone who might be potentially thinking about this option as an editor and I am not making the argument that the decision to leave out firewire is bad or saying “shame on Apple” for doing it - I am however just pointing out how big a deal that is for someone who maybe had the thought that this would be something they could use with ease for editing.

Price would also factor heavily into one’s decision to buy a system like this and I think when you see how much the MacBook Air is and start to compare it to a computer like the MacBook Pro the choice becomes clear. For $100 less you can configure a MacBook Pro system with a larger screen (15″), a faster processor (2.2GHz Core 2 Duo), a faster and bigger hard drive (120gb 5400 rpm), a DVD superdrive, a much faster graphics chipset (NVIDIA GeForce 8600M GT 128MB), and all the ports you’ll need (Firewire 400, Firewire 800, ethernet, ExpressCard34, multiple USB). What are you losing with the MacBook Pro vs the MacBook Air? It’s just a little bigger and a little heavier - but that’s it.

Upon a thorough look - it is clear that the MacBook Pro is the computer of choice for the video editor. In fact, it’s pretty silly to even think that anyone at all will adopt the MacBook Air for this purpose when the MacBook Pro is there with a lot more features and a smaller price tag - but inevitably I’m sure it will happen and I’d love to hear your experiences with this setup when you do get it up and running and your decision on why you went with this.

I’ve been trying to figure out what application a computer like this might have in production where it would excel over a MacBook Pro and I’m having a hard time coming up with even one. Maybe as a lightweight and ultra portable screen for a teleprompter system - but even thinking of it as such is a stretch. Anyone else have any ideas? Please enlighten me with your thoughts!

Well that’s it - hope you enjoyed my thoughts on this. Again, I know that to some of you even opening up the discussion on this as a possible editing machine is probably high treason - but I think it’s always a fair question to ask and some people might not really know the details on exactly what this machine is lacking and how that would effect the editor. I’ll leave it up to the community though to take this product to a whole new level and do things with it I never thought was even possible.

Maybe I’ll take a look at the Modbook for video editing purposes in my next installment!

Gravity Apple Impact Test

In a serious experiment to discover the weight and physical properties of a Granny Smith apple at an industrial speed against a non-moving Irish man the results proved to be dynamic and, well… funny.


Ray Doran Show - 2008 Teaser from Paul Escandon on Vimeo.

Credits:
Irish man: Ray Doran
Camera: Richard Sinatra
Producer: Alex Brennan
Executive Producer: Paul Escandon because it was his camera we were testing out
Laugh gallery: John Beattie, Jason Williams

read more | digg story

Ultimate Match Fishing College Edition - Friday nights on Outdoor Channel

Hey everyone - Happy New Year!

I spent this New Years day like I spent last year - cheering on the USC Trojans to victory in the Rose Bowl! One of these days they’re going to match us up with a tough opponnent - but I’m not sure when that’s going to happen. There is no doubt in my mind that USC could take Ohio State or LSU the way they’re playing right now. Unfortunately - a stupid loss to a bad team is going to keep them from getting that chance. Maybe they’ll learn their lesson. I’m digressing…

I just wanted to tell people to check out the Outdoor Channel if they get it tonight and/or any other Friday night for a show that I work heavily on. It’s called Ultimate Match Fishing College Edition and it’s a head-to-head fishing tournament that matches up one school against another. It’s a unique format so even if the outdoors and fishing isn’t your thing you might get some entertainment out of it. Or - if like me motion graphics and post production is your thing then you can just focus in on those elements :]

It’s on tonight on Outdoor Channel at 6:30pm EST (OUTDOOR CHANNEL is NOT OLN or Versus or some other channel with Outdoor in it’s name). Just so you know - I did the show opens, the bumpers, the motion graphics and the color grading. This episode was edited by the talented Danielle Patterson. It’s Oregon vs. Pursue in a battle royale (okay now I’m sounding like I’m in marketing).

I doubt many people are going to get a chance to see it - but if you do - let me know what you think.

Peace!

Just completed: Outdoorchannel.com site tutorial

A few weeks ago we drove up to Burbank and shot Outdoor Channel show host Michael Waddell on a green screen for Outdoor Channel Broadband and OutdoorChannel.com site tutorials.

I shot on Sony HDCAM and composited the pieces together in After Effects. Big ups to Rich Sinatra for virtually creating a copy of our entire site from within After Effects - he did all the dirty work and I just had to tweak some of the changes that have been made to our site in the last few months. Also, John Beattie recorded sound and produced the final mix. Michael Dorsey wrote the script. Llloyd Byran Adams producing. This was a total in house production from beginning to end.

Go to Outdoorchannel.com to check it out - the tutorial should load immediately when you enter the site. Also, you can check out the other tutorial on Outdoorchannel.tv - although that one plays regularly but won’t necessarily play when you enter.

Outdoor Channel.com tutorial

My new show reel

I’ve been working on a new show reel to highlight what I’ve done the last few years and just recently put the finishing touched on it.

The following is the intro piece to the longer version of the reel - but I thought I’d just post this up on here for now. It showcases some of my work as an editor, a director of photography, and a motion graphics artist. Check it out…


Paul Escandon’s 2008 Show Reel Intro from Paul Escandon on Vimeo.

Paul - The Film: The movie you have to see if you’ve never seen it before

For those of you who may have found this site through a Google search result and have no idea who I am, this video provides a pretty good primer for you to view.

Best in the Desert off road racing shoot in Primm, NV - Las Vegas 300

I spent this last weekend in Primm, NV shooting the Las Vegas 300 for the show Desert Racing on Outdoor Channel. Having worked with the producer on some online edits last season, I was fortunate enough to get the call to operate one of the field cameras for this off road event.

It was a really cool experience and I’m hoping I can do more of these in the future. I really have to admire the racers who can do these long off road races in the desert with all the conditions and obstacles that they face. It was really nice being out in what felt like the middle of nowhere with nothing around me for miles and miles… until of course a race truck or buggy came zooming by me.. and then back to nothingness for a few minutes.

Check out the Las Vegas 300 on Desert Racing on Outdoor Channel in the coming weeks. I’m not sure exactly when this specific show will air.

Here are some pictures that I took on my camera phone from the shoot.

NPPL Super 7 paintball event in Kansas City, MO

This past weekend I spent working in Kansas City, MO for the NPPL live webcast of their Super 7 tournament event. I worked with friend and producer Jayne Romyn formerly from Outdoor Channel shows “Inside Paintball” and “Inside RC”. She was running a really tight crew of about 10 people that worked to get the live 8-hour a day streaming webcast running on www.nppllive.com.

This was my first time working a paintball event and my job was to go out and shoot, capture, edit and deliver small 3-5 minute segments that could be played during breaks in the action that gave people a taste of the flavor of being at a live event. I had a really good time working with the crew - they were all really talented individuals and incredibly efficient at their jobs. Here are some pictures from the event, followed by a short 2-minute hightlight reel of what I shot during the weekend.

 

NPPL Kansas City, MO Highlight Reel from Paul Escandon on Vimeo.

Final Cut Pro tip of the day - “Bleach bypass” film-look in Final Cut Pro 6

Here’s a little tutorial I just made that shows a quick and easy way to get a pretty convincing bleach bypass film look using nothing but Final Cut Pro’s color correction filters.

Final Cut Pro Tips - Bleach Bypass look in Final Cut Pro 6 from Paul Escandon on Vimeo.